À propos de Marie-Odile
Anglais
Bilingue ou natif
Portugais
Bilingue ou natif
Français
Bilingue ou natif
Expériences
- Groupe MarcianoResponsable de galerie et de la communication digitaleARTS & ARTISANATseptembre 2017 - septembre 2020 (3 ans et 1 mois)Paris, France
- Blouin Corp.Art Advisory & Product development.CULTUREseptembre 2018 - novembre 2018 (3 mois)Paris, FranceArt Advisory, Selling Advertising, Product Development for an online platform.
- Visto ImagesArt ConsultantCULTUREjanvier 2017 - juillet 2017 (7 mois)Paris, France
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Formations
- Licence en Histoire de l'ArtSorbonne Paris I2014* 2011 - 2012 * Subjects : Archeology and Greek Art, Contemporary Art of the 20th century, Medieval art, Introduction to Preservation of Cultural Property, Italian Renaissance, English. * 2012 - 2013 * Subjects : Italian and Flemish Renaissance, Contemporary Art of the 20th century, Archeology and Arts of Africa, Profane Iconography, Religious Iconography, Initiation to Film Analysis, History of Photography, Digital Resources English and Portuguese. * 2013 - 2014 * Subjects : First Italian Renaissance, From Renaissance to Baroque, Contemporary Art of the 20th century (the International aspect of Surrealism), Art of Africa, 19th century Art, Decorative Arts and Design, Art History in the era of digital technology, English and Italian.
- Master - Recherches en Histoire de l'ArtSorbonne Paris I2016* 2014 - 2015 * Subjects : - News stories subjects and contemporary art. - Contemporary art history : Cultural studies from 19th to 21th century. Diploma thesis on Thiago Martins de Melo, a young brazilian artist, after a month of research on the presence of religious syncretism in brazilian contemporary art, in Rio de Janeiro. * 2015 - 2016 * Subjects : - Contemporary Art History : painting the everyday life, space and time aspects, through the work of Edward Hopper. - Being an Artist in the 20th and 21rst century : the archivist artist. - Italian. Diploma thesis on the exhibition IMAGINE BRAZIL, exploring the relation between art and globalization, the potential tensions between local and global dynamics, center and fringes and the reorganizations of the art world.